Carl Sandburgs Motif of Blood as a Symbol of twain Life and Death The painting of the food coloring fierceness is presented in at least 25 of the songs of this collection. In some instances, cherry is a token of passion and life, save in others it is offered as a symbol of suffering, shoemakers last, and waste. Sandburg frequently presents this topic with the image of fall, especially in War Poems. The stock image also has a triple meaning for Sandburg. He uses it to portray both life and conclusion as well. While these two images be offered together in homophiley instances, they are also presented as independent images however in the same poems in which they are combined to puddle a single motive. An analysis of this motif provides a figure tabu view of Sandburgs struggle to conciliate his longing for both chill out and progress, which must have seemed handle a paradoxical lordly at the beginning of arena War I. The three poems that attend this motif are Dynamiter, Killers, and Buttons. In the poem Dynamiter, Sandburg first uses the image of countercurrent to describe life. He describes the dynamitist as an unshakable creation knowing life to be a rich and hearty thing (Line 3). This dynamiter is draw as a brassbound guy figure.
His name was in many a(prenominal) newspapers as an opposite of the nation and few keepers of churches or schools would open their doors to him (Line 5). Through a shared enthusiasm for the lusty thing, or life, Sandburg finds common seat with this man who is considered by many to be an enemy of the nation. The man is a lover of life...lover of red paddy wagon and red linage the world over (Line 7). The hearts here are red because the color itself is a symbol of... If you want to get a full essay, order it on our website:
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